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Hi, I read that Robben was using Tonker Eminence speakers but I wonder if this is the closer speaker than Celestion G12-65 or is there an other one ?
Maybe, somebody knows in wich song(s) or album(s) we can hear Tonker tone ?
LOL) and they were looking for the details to get the RF model correct.
Soon they sent us a test pair of their newly launched line to evaluate, but after literally playing 3 or 4 chords Robben immediately stopped and said they were totally unusable for him. we were at a hotel in Japan with a bunch of other artists and bands that were performing over this festival weekend, and we were all sorta stuck in the hotel (hangin' out in the lobby and restaurant) 'cause the weather had gone to monsoon, and Dal (Robben's manager) gave me an envelope he had received with a letter from Eminence in which the rep (who turned out to be the head of the design and development department) introduced himself, mentioned that the Eminence factory had a bunch of Robben fans working there and that the company would love the oportunity to try to develop a "Robben Ford" model speaker, if we were interested, and included some brocheres and cataloges.
sometimes on the road and often in the studio, in the same way he uses amps other than his Dumble...
when he is looking for that "certain thing" he's hearing for special purposes and occasions._________________Hi, I come back to say that I bought an Eminence Tonespotter five months ago that seems to sound very close to the G12-65' for me.
I don't think Robben recorded anything with the Tonker.Of course, that's true we can't find exactly the same tone with any Eminence speaker than Celestion speakers ... I find his guitar sound on "Nothing to Nobody" very good. On the graphs they seem very nearby._________________Stay in the wind and on the wave summit. I read that Robben was using Tonker Eminence speakers but I wonder if this is the closer speaker than Celestion G12-65 or is there an other one ?However, what I CAN say now, as I think back, is that when I hired on, Robben's standard rig was the Dumble O/D Special w/ Dumble 2-12 cab, loaded with reconed Celestion G12-65's...so this is what I would imagine was one of his primary studio rigs for the "Supernatural" recording.